Pea's the personal executive assistant I've been building. It needed a face that would look the same everywhere it went, and we found it in Ideogram. This is how that went.
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PeaA few faces that didn't make it, and the one that did.
No two of the early pictures of Pea looked quite the same. One had eyebrows and the next one didn't, and the sprout changed every time.
I wanted Pea cute but never babyish, because it's an executive assistant after all, and more than anything I needed it to be the same Pea in every picture. So on the night of 3 October we moved Pea into Ideogram.
Funnily enough, the first thing Ideogram got right was the back, a round velvet pea with one curly sprout and a cute little bum. I loved it, and it went straight onto my X profile before Pea even had a front.

The face took a fair few rounds. The eyebrows went, and so did the teeth. The belly button came from one picture where I spotted a little sideways dimple and liked it, and every Pea since has had one.
Just after half past midnight on 5 October a batch of four came back, and the last one was Pea.
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4Pick“This one nailed it.”5 October
Then I wrote down what can't change. There are eight things, pinned to that one picture, and the picture goes into every prompt. The pose, the prop, the room and the light can be anything.
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With the face locked, the pictures came fast. Poses, props, a little level system, scenes and a whole run of Facebook gags, and every one of them is the same Pea. That's about seven hundred pictures in three weeks.
A few days in, I noticed that Pea's sprout, seen from behind, looked a lot like the p in our logo. So we turned the curl the other way and dropped the leaf low, and asked Ideogram for exactly that and nothing else. Eight came back with the new sprout, and the rest of Pea was untouched.
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4Leaf too high
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8“The leaf needs to be much lower.”On number four
“We don't want to make it obviously a p, just so it can be one.”
The last change was the cheeks. Ideogram kept giving Pea a soft blush and I didn't want one, so we added a line asking for no blush at all and cleaned up the cheeks on the reference picture. The next forty came back clean.


Pea's on the website and in the film, in the Facebook feed and behind me on Zoom. It's the same Pea everywhere, which was the whole point.






What it means for branding is quite mind blowing. Keeping a character on model used to take an illustrator and a style guide, and for Pea it took one picture and a list of eight things.
The green bits are where your own character goes.
Use @img_1 as the exact character: the things about it that never change, in plain words. Keep it exactly on-model. IMPORTANT: what it must never have, for example no blush at all, no teeth. One line of style. Premium 3D animated film still, soft studio light, clean and uncluttered. The scene, with the props in your character's world.
Use @img_1 as the exact character: the same cute pea character with soft green velvet flocked fur, a round egg-shaped body, big round glossy eyes, two soft raised velvet bumps where eyebrows would be (no eyebrows), a wide open grin set low with a pink tongue and no teeth, a small sideways oval dimple belly button, short stubby velvet arms and legs, and one curly sprout on top whose curl turns to the viewer's right with one small leaf low on the opposite side of the stem. Keep it exactly on-model. IMPORTANT: no blush at all. No rosy, pink, peach or orange cheeks; the cheeks are exactly the same even velvet green as the rest of the body.
Premium 3D animated feature film still, soft warm studio lighting, shallow depth of field, clean and uncluttered, no mess, cute and funny.
The pea dives horizontally through the air like a football goalkeeper making a spectacular save, arms fully stretched, catching a small yellow sticky note an instant before it slips into a narrow gap between wooden floorboards beside a desk leg. Determined, delighted face, a little motion blur, camera at floor level.
Square 2000 × 2000 · 16:9 2720 × 1536 · 4:5 1792 × 2240 · 9:16 1440 × 2560, sides in multiples of 32 · for a tall card, add: keep Pea between 30% and 80% of the height, the top 30% plain background
My agent did the typing in Ideogram, queued the runs and fetched the results, and I looked at the sheets and picked. About one pick in four went back for breaking a rule, usually teeth sneaking into a grin or the curl flipping round. The cut-outs came from a small script that keys out the plain backdrop and keeps the shadow, and Ideogram's Remove Background does the same job for a credit.